This symposium examined how feminist and queer art and visual culture challenged Northern Irish art and society since 1968. The period is one in which wider political developments relating to gender and sexuality evidence both the challenges that women and LGBTQ+ people have faced in gaining equality and the energy of groups that fought for it. Complicating much of the current discourse around Northern Irish art after 1968, which is often dominated by examinations of the impact of ‘the Troubles’, this symposium sought to nuance this discussion by highlighting the complex and various approaches to political art making that formed a significant part of Northern Irish practice. Northern Ireland’s Feminist and Queer Art Histories explored the ways in which attention to gender and sexuality can help us rethink the writing of Northern Irish art history.
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